Catalogue
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Artist Cherry
Title The World Waits
Format 12 Inch
Cat No. FOUR:053
Tracks  

The World Waits Listen

 

The World Waits (Ada Remix) Listen

 

When The Truth Is Listen

Get now at Beatport.

Tony Rodriguez / Brothers' Vibe - Wicked work! When The Truth Is - is my fav : )
Andrew Grant / Circo Loco - WOW....ADA rmx is slick and the other tracks are works of art
Timo Maas / Various - world waits is great. ada remix is cool too
Matt Walsh / Turbo - great synths throughout.. ada mix is awesome
Eli / Charles / Soul Clap (Wolf & Lamb) - really nice melodic shit. ada mix is beautifully deep. on it on it
Michel De Hey - what can i say... love this, and big respect for putting out stuff which is less obvious, excellente!
Orde Meikle / Slam / Soma - top label - another cracker -cheers guys
Ed Davenport / Liebe*Detail - liking ada deep and playful remix a lot! thanks
Japanese producer Cherry returns with his second EP, the “World Waits EP”, backed with a typically superb remix from Areal/Kompakt producer Ada.

As with his first EP for the incredibly consistent Four:Twenty, “The Alex EP”, “The World Waits” is melodic, electronic house at it’s best. Unselfconscious and emotive, the Toyko based producer’s output sees him drawn in a myriad of influences to create something which sidesteps trends masterfully.

Title track “World Waits” is a mammoth 12 and a half minute excursion into layering of melodies which is completely mesmerising. Simplistic drum programming, with just a smattering of variation, combined with an equally simplistic arrangement allows the dominant, nagging synth riff to steal your attention and hold it throughout.

Cologne’s Ada delivers an equally hypnotic take but pursues a more reductionist avenue. An 808 kit provides the backbone while the original’s riffs are tempered with filtering and a more sporadic structure. Subtle strings are also added and add just a modicum of intensity to great effect.

“When The Truth Is” rounds the package off with a captivating mix of melancholic jazz piano, sinister soundscapes and drum/sub interplay which while certainly more sample based than it’s A-side, is no less original.

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